By J. L. Carr
In J. L. Carr's deeply charged poetic novel, Tom Birkin, a veteran of the nice struggle and a damaged marriage, arrives within the distant Yorkshire village of Oxgodby the place he's to revive a lately found medieval mural within the neighborhood church. dwelling within the bell tower, surrounded by means of the resplendent geographical region of excessive summer season, and laboring every day to discover an nameless painter's depiction of the apocalypse, Birkin reveals that he himself has been restored to a brand new, and hopeful, attachment to lifestyles. yet summer season ends, and with the paintings performed, Birkin needs to go away. Now, lengthy after, as he displays at the passage of time and the ability of artwork, he reveals in his stories a few comfort for all that has been misplaced.
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Additional resources for A Month in the Country
She was convinced this would have made all the difference in Harolds new attitude toward her. The God, much to her chagrin, was regarding the Milksop with faintly raised eyebrows and a disbelieving expression, as if he could not quite decide what to make of the young man in the purple suit. Nicola could not blame him. She had never been certain what to make of Harold herself. " Harold asked, holding out a hand that was almost as pale and slender as her own. A lady, Madame Vieuxvincent had instructed her pupils, always accepted the inevitable with graciousness.
And she was almost as fine a milliner as any in the city, having rendered many an out-of-fashion bonnet stylish in the extreme with an artful addition of a silk rose here, or an artificial cherry there. Eyeing her letter, Nicola wondered if she ought to add something about the God. It seemed as if it might be a good idea, since it was entirely possible that Sebastian Bartholomew was going to play an important role in all of their lives, if things kept up the way they had been. Having grown up almost completely sheltered from them, Nicola knew very little, it was true, about young men, but it did seem to her that Honoria's brother had been most attentive since she'd come to stay.
Interestingly, it was as Nicola was carefully extolling all of the God's virtues in her letter to her loved ones back at Beckwell Abbey that Lord Farelly's butler entered the morning room to announce that two other personages for whom Nicola had pet names had come calling, and were waiting to see her in the drawing room—her cousin Lord Renshaw (the Grouser) and his son Harold (the Milksop). Nicola made a face and laid down her pen. Lord Renshaw and his heir were just about the last people she wanted to see.