Adobe After Effects CS4 Visual Effects and Compositing by Mark Christiansen

By Mark Christiansen

This is often the one ebook within the After results marketplace to concentration solely at the production of visible results, and is a one-stop source for someone who wishes in-depth factors that demystify the area of visible results and the way they have been created, due to veteran writer Mark Christiansen's pleasant and available kind. A completely packed, informative learn, this masterful consultant specializes in explaining the basic strategies, good points, and strategies which are key to making seamless movie-quality visible results. clients who're ok with After results will discover a useful evaluate of After results fundamentals—managing pictures, viewing and modifying layers, animating style, and more—so they could how one can paintings smarter and extra successfully. Readers of all degrees will research middle options for results compositing together with colour matching, keying, rotoscoping, movement monitoring, emulating the digital camera, and concluding with utilizing expressions in After results, written by way of contributor and specialist Dan Ebberts. the ultimate part of the e-book delves into inventive explorations, demonstrating specialist results that readers will need to re-create.

Readers also will locate entire assurance of all that is new and makes this model of Adobe’s results software this type of boon to video execs of all stripes: searchable timelines and tasks, Photoshop 3D layers import, the caricature influence, Imagineer platforms’ Mocha for Adobe After results, more suitable workflow for cellular units, and extra.

Throughout the ebook, appealing full-color examples display what is attainable, whereas the spouse DVD deals demos of After results CS4, pattern photos, and software program plug-ins.

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Title/Action Safe overlays determine the boundaries of the frame as well as its center point. View > Show Grid (Ctrl+”/Cmd+”) displays an overlay grid. View > Show Rulers (Ctrl+R/Cmd+R) displays not only pixel measurements of the viewer, but allows you to add guides as you can in Photoshop. Use Preferences > Grids & Guides to customize the Safe Margins in the Title/Action Safe overlay or the appearance of grids and guides. All of these are toggled via a single menu beneath the viewer panel (the one that looks like a crosshair).

If you really meant to bring in that folder’s contents as individual files, hold down the Option/Alt key as you drag it in. Things get more complicated if you are dealing with multiple image sequences in a single folder. If you’ve never run into this or can simply keep the practice of one sequence per folder, great, skip ahead. Otherwise, it’s better to use the Import dialog. With the Import dialog, it doesn’t matter which specific image in a sequence you select; they are all imported provided you select only one.

97 fps; telecine conversions from film to television use this. 16). 16 Pulldown allows 24 fps footage, the film frame rate, and allows it to play smoothly at 30 fps; without interleaving it into fields in this manner, the motion stutters, as it does if you try to go straight from 30 fps (no pulldown) to 24. Your computer monitor, of course, displays square pixels, so any clip with a non-square PAR will look odd if displayed without compensating for the difference. 17) although the footage or composition itself isn’t changed.

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