By Diana Weynand
Updated for ultimate minimize professional 7 and written for pro video and movie editors who understand their manner round Avid nonlinear platforms, this e-book indicates you the way to translate your abilities to ultimate lower seasoned fast and successfully. manufacturer, editor, and Apple qualified coach Diana Weynand takes you thru a accomplished “translation direction” masking all of the crucial operations, from venture set-up and uncomplicated modifying via transitions and results, colour correcting, compositing, titling, and output. You’ll locate certain characteristic comparisons, functional conversion guidance, and directions on the way to use ultimate minimize professional good points that aren’t on hand in Media Composer. You’ll additionally study what’s new in ultimate reduce professional 7. choked with convenient gains, together with comparability charts, look-up tables, keyboard shortcuts, and dozens of complex enhancing and workflow guidance, this booklet can have you enhancing with ultimate reduce professional in checklist time. every one bankruptcy represents an entire lesson in a key element of ultimate minimize professional 7 and features a evaluate part and checklist of keyboard shortcuts.
- Accessible writing type places a professional teacher at your side
- Ample illustrations and keyboard shortcuts assist you grasp concepts fast
- Chapter assessment sections summarize what you’ve learned
Read or Download Apple Pro Training Series: Final Cut Pro for Avid Editors (4th Edition) PDF
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Extra info for Apple Pro Training Series: Final Cut Pro for Avid Editors (4th Edition)
In Final Cut Pro, you use a keyboard shortcut or menu selection, which automatically places the new subclip in the original clip’s bin. In addition, you can create a subclip from a portion of a sequence, and even remove a subclip’s limits if you want to use more of the master clip material. Creating Avid subclips To create a subclip from the Viewer: 1 Open a clip in the Viewer. 2 Mark an In and an Out point for your new subclip. 3 Choose Modify > Make Subclip, or press Command-U. In the Browser, a new subclip is created and placed automatically beneath the clip from which it was created.
Applying Color to Clips, Bins, and Sequences In Avid, you can choose from an extensive color palette to colorize Timeline tracks. In FCP, however, you don’t apply color to individual Timeline tracks, you apply color to bins, clips, and sequences. When you give an item a color label, that color will follow that item into other windows. For example, a sequence with a color label will display a sequence tab with that color in the Canvas and Timeline windows. A clip with a color label will display colored tabs in the Viewer, and so on.
There is no corresponding default keyboard shortcut in FCP for adding or deleting tracks, but there are several other ways you accomplish the task. You can even add a specific number of tracks to the Timeline at one time. In Avid, you can have 24 video tracks and 24 audio tracks. FCP allows you to have up to 99 tracks of video and 99 tracks of audio. Avid New Track options To add or delete tracks: Do one of the following: Choose Sequence > Insert (or Delete) Tracks. In the Insert Tracks window, select the number and type of tracks you want to insert (or delete), and where you want them placed.