Apple Pro Training Series: Motion 4 Quick-Reference Guide, by Jem Schofield, Brendan Boykin

By Jem Schofield, Brendan Boykin

Designed as a computing device significant other for either editors and movement photographs execs, this can be the fitting at-a-glance consultant to movement four. grasp coach Jem Schofield grants a crash path on how movement thinks (groups, layers, gadgets, and behavior-based animation), and meticulously courses you thru the basic strategies and instruments for animation, movement portraits, visible results, and 3D layout in a concise look-up format.  The consultant additionally offers a good precis of what’s new in movement together with more advantageous 3D shadows, reflections, and intensity of box; the power to “fly” a digital camera from one item to a different; ripple textual content characters off and on the display conveniently; animate date and time sequences immediately; Motion’s notable new linking habit, and extra.

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Extra resources for Apple Pro Training Series: Motion 4 Quick-Reference Guide, 1st Edition

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Two behaviors are specific to particle systems: Scale Over Life and Spin Over Life. Filters and behaviors cannot be applied to individual particle cells. NOTE Ǡ Four increment types are available: Natural Scale, Rate, “Birth and Death Values,” and Custom. Three increment types are available: Rate, “Birth and Death Values,” and Custom. Scale Over Life Spin Over Life Scale parameters are available when Natural Scale or “Birth and Death Values” are chosen for Increment Type. When “Birth and Death Values” is chosen, these parameters are multiplied against the particle’s pre-existing scale.

4 Change the Controls settings as desired. 33 Animate from the value set in this behavior to the text’s value. In the Add pop up menu, you can add one or more parameters to a behavior. After a parameter is added, its controls appear at the top of the sequence text. Use the Remove pop up menu to delete parameters. Animate from the text’s value to the value set in this behavior. Animate a full cycle starting at the text’s value, to the value set in this behavior, and then back to the starting value.

42 Shapes, Masks, and Paint 3 Create or add the object to be used as the mask source for the image mask and trim to where it will start and finish. 4 In the Layers tab, drag the mask source to the Image Mask layer. Using the Paint Stroke Tool 5 43 Adjust the image mask parameters. In the case of this grayscale rectangle, the Source Channel was set to Luminance. As with regular masks, this parameter has Add, Subtract, Replace, and Intersect settings. Using the Paint Stroke Tool Any shape can be converted into a paint stroke by activating the shape’s Outline parameters and deactivating its Fill parameters.

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